10 anti-item songs

One of the most-talked about issues when it comes to women in Hindi films is the item song. But women in film songs don’t just have to be the typical item girl there to titillate the audience and serve the male gaze.

I have already talked about the importance of songs in a couple of films discussed already, the song “London Thumakda” in “Queen” as one of the subversions of expectations and film conventions and the song “Ooh La La Tu Meri Fantasy” in “The Dirty Picture” as an example of Vidya Balan’s use of comedy in a film that is at its essence, a tragedy.

Songs in several other heroine-oriented films have equally presented different sides to women through music. I’ve picked 10 of the most interesting below. Watch out for a few “angry young women” in particular!

  1. Mardaani Anthem – Mardaani

A song with an explicit women’s empowerment message – this “anthem” addresses the subject matter of the film (child trafficking) but from a position of genuine strength and standing up to injustice.

Below is the link of the lyrical verison of the song – where we see Rani as Shivani Shivaji Roy in action in the instrumental parts of the song, and the listener is encouraged to sing along to the powerful lyrics during the sung parts. Join in:

“Aaj se aab se

Aan meri main tumko na chhoone doongi

Jaan ko chaahe chhalni kardo

Maan ko na chhoone doongi”

  1. High Heels Te Nachhe – Ki & Ka

A fun, catchy song that could somehow fit in almost any other film, but stands out due the plot of the film it’s in (Ki & Ka), that is a simple romantic comedy that’s also subversively progressive in terms of gender to a point not just beyond Bollywood, but unlike most mainstream cinema globally (for discussing in another post).

However the video song achieves the same in a few short minutes through the choreography and costumes switching up expectations in terms of gender roles gently and humorously.

Watch below:

  1. Ghani Bawri – Tanu Weds Manu Returns

A popular song that accompanied an ever more popular film – Tanu Weds Manu Returns, plays up perceptions of independent and passionate women as “crazy” by reclaiming the title.

Interestingly, in Tanu Weds Manu Returns, as in the first film, Ranaut’s character Tanu is not demonised for being this supposedly “crazy” woman, in fact she becomes our heroine. It is not whether she should change her behaviour or not that is the question, but rather if Tanu and Manu are a well-matched couple or not, and if they can make their relationship work with such different personalities.

Ranaut’s dance performance here is also unusual – she is being shown as watched by a male, indeed her ex-husband Manu as he is about to remarry, but she is trying to communicate a message to him of strength, independence and defiance rather than serving his sexual desires. The whole dance is far from a pop song in the middle of the film, as Ranaut uses it as an opportunity to convey her character’s feelings in the moment and as such, it manages to move the plot forward and help the audience better understand and relate to Tanu. We understand her anger and pain in one.

  1. Ziddi Dil – Mary Kom

A montage training scene turned video song with a message of determination, Ziddi Dil is a stand out song from the movie Mary Kom. The picturization of the song meanwhile shows what makes Mary Kom such a compelling real life sports star and biopic lead – that is, her contrasting feminity and roles as daughter, mother and wife; and a driven, determined five-time boxing world champion.

At this point in the film, MC Mary Kom is yet to become a wife and mother of three. Rather she is still a young girl and despite Priyanka Chopra already having been in the industry for more than 10 years at the time of shooting Mary Kom, manages to excude the youthful energy of a teenager

We see facets to Kom’s all round personality – she is a simple farm girl helping out at home, a devout Christian, lives in the picturesque Manipur, is committed to her training, and even so in the face of her parents’ concerns. All these facets comfortably co-exist, and the song pays tribute to Mary Kom’s drive and determination. At the end of the song, we see both the pay-off in terms of her victories in the ring, and the cuts and blisters she suffers through as a result:

  1. Rajj Rajj Ke – Akira

With lead actress Sonakshi Sinha also doubling up as a playback singer in this track, the song sees Sinha as a rock star.

We are also treated to clips of Sinha in full action star mode as Akira and the mood and lyrics of the song help to strengthen our understanding of her character and her destructive and vengeful mindset in the movie.

The vocal performance shows a very different side to Sinha as a singer than her pop hit “Aaj Mood Ishqholic Hai” and positions Sinha as the quadruple threat – acting prowess, popular dancer, and now fully fledged singer and action heroine.

  1. Jashn – Bobby Jasoos

A joyful, feel good song from the underrated film Bobby Jasoos, this sees “The Dirty Picture” star in a totally different avatar.

This is an Eid celebration dance song very different from one you would find in Salman Khan’s latest holiday release.

  1. Chhil Gaye Naina – NH10

In NH10’s “Chhil Gaye Naina” we see Anushka Sharma in a similar mode to Sinha’s Akira in Rajj Rajj Ke, in this case accompanied by the powerful vocal performance of playback singer Kanika Kapoor.

The track also does well at setting the mood of the film, building tension and suspense, and helps understand the fear, pain and vulnerability felt by Sharma’s character Meera, the feelings that will drive her violent fightback against her attackers.

Sharma puts in another acting performance whilst lipsynching to the track and we get a microcosm of Meera’s character arc in NH10 itself through the less than 3 minute song.

  1. Revolver Rani – Revolver Rani

Another track where the avatar of the lead actress (this time Kangana Ranaut) is wholey different to as we either know her best (a la “Queen”) or have seen her before.

This Western style film with Kangana as a larger than life cowgirl-style politican Alka Singh puts a woman in a position of power, and portrays a grey anti-heroine role and we can sense the black comedy of the film even within the song itself and its picturisation.

  1. Sava Dollar – Aiyyaa

In this song at the beginning of Rani Mukherji’s film “Aiyyaa”, Mukerji as her character Meenakshi in full fantasy mode due to her dreams of making it as a film heroine.

The song pastiches Hindi film song and dance, but with a tenderness only possible by a true lover of the genre. From within the film itself, we understand this is purely Meenakshi’s perspective,  living out her dreams, rather than for the pleasure of any male onlooker.

Life as a Hindi film heroine is portrayed through Meenakshi’s eyes as the epitomy of success, glamour and power, but seems possible to her as she is shown as a dreamer who will not accept narrow expectations of her.

“Haan mamuli nahi main ladki

Khole sapno ki khidki

Apni thandi duniya ko

Maine sapne pe sekha”

  1. Hamari Atariya – Dedh Ishqiya

A list of Hindi video songs could not leave out the iconic dancer in Madhuri Dixit. Whilst there were a few options to pick of hers (“Aaja Nachchle”, “Dheemi Dheemi Si”, “O Re Piya” and “Gulaabi” in a non-dancing avatar – just from the movies “Aaja Nachchle” and “Gulaab Gang”), her performance in Dedh Ishqiya stands out.

Whilst the song and dance of “Jagaave Saari Raina” is notable for its elegance, I have left this out of the list as within the moment in the film, it is literally viewed through the male gaze of Naseeruddin Shah’s character. This plot point becomes more complex later in the film, and overall this film is unusual and provocative in several ways that warrant greater analysis generally. However the song sits uneasily within this list for this reason.

Hamari Atariya meanwhile, comes right at the end of the film, when the plot has played out fully and we know the status of Madhuri Dixit’s character Begum Para and Huma Qureshi as Munira. We see two women dancing together but who are not competitors for a man’s affections (a la Madhuri herself as Chandramukhi with Aishwarya Rai as Paro in “Devdas”, or most recently Deepika Padukone as Mastani and Priyanka Chopra as Kashibai in the song “Pinga” from “Bajirao Mastani”).

In this song then, we see Madhuri and Huma dance elegantly and defiantly, accompanied by a group of young girls all dancing in sync. It is a genuinely wonderful song and dance that can be enjoyed for its own merit.

Five upcoming heroine-oriented movies to look out for!

So what are some of the yet-to-be-released flicks that this blog will update on and then discuss after release? Here are 5 upcoming heroine-oriented movies to make sure you look out for.

  1. Simran  – a 2017 release starring 100-crore heroine Kangana Ranaut

Due to the casting of Kangana, this film is bound to gain a lot of attention. There is less confirmed information available so far however about this movie than Kangana’s other release “Rangoon”.

It is understood that Kangana plays an NRI, and that her character is not actually named Simran (leading to the question – who is Simran?) but rather Praful Patel. Kangana is said to be playing a “negative character”. Is this an unusual portrayal of an anti-heroine lead?

Speculation abounds that Praful is based on real life bank robber Sandeep Kaur, dubbed the “Bombshell Bandit” after successfully robbing three banks across the US. Her full story can be found at: http://www.bbc.co.uk/news/magazine-32481834

It sounds a fascinating source to inspire a movie that’s for sure.

What we do have in terms of concrete information however is that the film is directed by Hansal Mehta, a National Film Award winner whose most recent release was “Aligarh”. A first look of Kangana in “Simran” has been released.

kangana-in-simran

2. “Noor” starring Sonakshi Sinha –

Noor sees Sonakshi Sinha team up with debut director Sunhil Sippy, her second heroine-oriented film after last month’s “Akira”. Unlike “Akira” – which saw Sonakshi as the action heroine spending most of the movie “kicking ass”, “Noor” appears to belong to the genre I’m dubbing “Lipstick Cinema” – as an entertainment-oriented portrayal of a lipstick feminist ideology. Such films have women as protagonists, and are generally designed for a female audience but embrace traditional markers of über-femininity. There are relatively few such films that have released in Bollywood, with the Sonam Kapoor-starrers “Aisha” and “Khoobsurat” springing to mind as recent examples.

The film is an adaptation of the book “Karachi, You’re Killing Me!” written by Pakistani journalist Saba Imtiaz and is due to release in April of next year.

With the book set in Karachi but relocated to Mumbai for the movie – there was some speculation that the character will remain Pakistani, which would have been an interesting retention given the paucity of Pakistani female characters in Hindi films (Preity Zinta in Veer Zaara and the young Munna [or “Shahida”] in Bajrangi Bhaijaan spring to mind), but Sinha has recently denied this, insisting this remains an Indian adaptation of a Pakistani book.

Poster for Noor.jpg

A poster already released (above) as has a teaser (below)

3. Phillauri – a film with Anushka Sharma as the lead –

Anushka Sharma’s latest home production following her intial producing credit for NH10 (another film due its own post), Phillauri is also a step away from the thriller genre of NH10, reportedly a much lighter affair comfortably described as a romantic comedy.

It has been speculated that Anushka is either playing a ghost or a witch – either option an unusual choice for your lead character!

First look is below

anushka-sharma-in-phillauri

Phillauri releases in March of next year and sees Punjabi music star and actor Diljit Donsanjh (who recently debuted in Bollywood with “Udta Punjab”) alongside Anushka, and was shot in the village of Phillaur and the city of Patiala, both in Punjab state, and is directed by newcomer Anshai Lal.

  1. Kahaani 2 – with of course, Vidya Balan

Due to release just next month, Vidya Balan’s “Kahaani 2” is a sequel to 2012’s superhit “Kahaani” (a film that warrants its own separate post soon).

Scheduled to release on the 25th November, Kahaani 2 goes up against SRK and Alia Bhatt’s “Dear Zindagi” at the box office in what is set to be the latest in a number of release date clashes between highly-hyped films.

However, if Kahaani 2 gets good word of mouth, combined with the regard the first film is still held in and Vidya’s acting chops, it should be able to overcome the impact of the release date clash.

Kahaani 2 appears to be set once again in Kolkata, which fans of Kahaani will remember, played a significant role in the movie, as a pseudo-character in of itself. Balan returns as assassin Vidya Bagchi, and Arjun Rampal joins the cast in a major role. Kahaani 2 sees Sujoy Ghosh return to directing for the first time since Kahaani.

The trailer is expected to come out alongside Ajay Devgan’s “Shivaay” which releases on the 28th October.

A still from the movie is below:

kahaani-2-still

5. Veere di Wedding – an ensemble piece with Kareena Kapoor and Sonam Kapoor

This is a movie I am particularly looking forward to for a number of reasons. Firstly, it’s a heroine-oriented film with two major stars – with Kareena Kapoor and Sonam Kapoor both acting in Veere di Wedding. To say this is not a common occurrence is beyond an understatement. If the film is a success and both actresses are credited for it, perhaps it could even start a trend that would see the lead actresses of Bollywood on screen together with greater frequency.

Equally, by featuring Kareena Kapoor in a lead role, it also shows her determination to remain in the industry despite family tradition, naysayers and the rules of Bollywood demanding she step out of the limelight now she’s married, over 35 and soon to be a mother. Whilst evidently benefitting from the privilege of the ultimate movie star last name, this refusal to “bow out gracefully” can break barriers for other women after her.

So what do we actually know about the movie itself? Well we know it is about a group of four friends at one of their weddings – the bride played by Kareena. The other three women are played by Sonam, Swara Bhaskar (previously in the Tanu Weds Manu movies, Raanjhanaa and Prem Ratan Dan Payo) and Shikha Tilsania (Wake Up Sid). It sees Sonam team up again with Khoobsurat direct Shakshanka Ghosh. VDW has been described as a “feel-good film” about an “emotional bond between friends”. Producer Rhea Kapoor (Sonam’s sister) has revealed it will shoot primarily in Delhi, with some overseas locations also being explored.

Beyond this – more is yet to be revealed, including the release date. From the information we have so far though, it appears to also fit into the “lipstick cinema” category, and if it plays up on the comedy aspect, I would not be surprised if it is being pitched as Bollywood’s answer to “Bridesmaids”.

kareena-and-sonam

Look – heroines can get along!

PLUS – a bonus three other heroine-oriented films which have been announced but for which there is still very limited information:-

  • Begum Jaan – another Vidya Balan movie releasing early next year. Allegedly Vidya plays a brothel’s madam during partition (already sounds amazing). Hopefully this will follow on from success with Kahaani 2.
  • Rani Mukherjee is set to make her return to the silver screen by playing the lead in a YRF biopic, directed by Siddarth Malhotra (not the actor, but rather the director of the Kajol/Kareena Kapoor/Arjun Rampal film “We Are Family”). Rumour mill is rife that this is a film turned down by Priyanka Chopra, and as PC was recently linked to a biopic of Kalpana Chawla, its possible this is the same film. Chawla, an Indian American astronaut, and the first Indian woman in space, lost her life aged only 40 (only two years older than Rani) in the Space Shuttle Columbia disaster in 2003.
  • As yet unnamed heroine-oriented film starring Kajol – very little detail on this upcoming movie, reportedly Kajol’s next, with her as the protagonist in a movie starring a mother and son, it is produced by her husband Ajay Devgan’s production house but he does not star in the movie.

Enjoyed this post?

  • Check out “Queen” – which discuss Simran star Kangana Ranaut’s 2014 release, and why the film is groundbreaking and how it subverts expectations
  • Read about another powerhouse performance, Sonam Kapoor’s best to date, in “Neerja” and how the film presents the protagonist as a number of different archetypes
  • Learn what this blog is all about in “Introducing ‘Women in Bollywood‘”